Sabado, Abril 28, 2012

Rachel Weisz’ Gift and Legacy


Beautiful Rachel Weisz gave a gift and legacy in the form of playground benefiting around 600 kids in San Andres, Manila (photo courtesy of Google Image)

    Rachel Weisz came to Manila on January to film the fourth instalment of the successful Hollywood movie Bourne, The Bourne Legacy. She ended up leaving a gift and legacy instead to about 600 kids. It is a playground in San Andres, Manila.  This was revealed by the film’s producer and director Pat Crowley and confirmed by Rachel Weisz’ Filipino co-actors in the film Lou Veloso and John Arcilla.

     “Everyday she came out and she saw the playground and she saw the kids in the playground. I think that had a lot to do with motivating her…that she always makes a contribution on every movie that she works on,” Crowley mentioned to a TV press.

     Crowley also shared that Weisz contributed Merry-Go-Round and new seesaw for the kids. He added that Weisz’ main concern was the safety of the kids as there were lots of sharp edges that can injure the kids.

     “We can do better for the kids,” is what Crowley remembered that Rachel Weisz have quipped.  

     Filipino architects Roy Lachica, Dan Fernandez and Kenny Yanga were commissioned to design the playground’s makeover. “Rachel approved the drawing we showed her before she left Manila.” Lahica said. “She wanted us to include rubber mats, because the floor area is all concrete.” It was completed on March 5, 2012.

     Meanwhile, Crowley also revealed that the “Bourne Legacy” will have a special screening here in the Philippines this year.

     “I don’t know if there will be a world premiere but definitely a special screening here for the people who were involved and people in Manila.

Producer Pat Crowly (rightmost) and Rachel Weisz Filipino co-actor in the film The Bourne Legacy (in suit) distributes school kits in San Andres Manila were they filmed for few weeks. 


Resources:

ABS-CBN News: www.abs-cbnnews.com

Please check out the other Rachel Wiesz blog by Dorothea Benedict:

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